Bonnie B. Lee: Breaking The Ceramic Ceiling
At the Joan B Mirviss Gallery’s The French Connection, Japanese women ceramists breathe new life and a welcome strangeness into a traditional artform.
View ArticleCraig Epplin: Snowball’s Chance, Ten Years Later
A decade after John Reed's Orwell parody was released, it still feels current, and, perhaps, even more relevant than before.
View ArticleBen Mason: Diane Arbus’s No Man’s Land
In Berlin, the photographer’s fascination with separation and unity has unexpected resonance.
View ArticleNora Connor: The Myth of the Muslim Tide and the Search for the Moderate
Doug Saunders's new book fights fears about “the Islamization of America” with historical and sociological fact, but slippery terminology gets in the way.
View ArticleTomas Hachard: Denis Côté’s Animal Instincts
Bestiaire’s place in the filmmaker’s oeuvre and anthropomorphic conceptions.
View ArticleRachel Arons: Buggled and In Between
The subtle ambivalence of Sarah Polley’s Take This Waltz.
View ArticleGenevieve Walker: Leigh Stein’s Dispatch from the Future: Poetry for Poetry...
Leigh Stein's new collection is captivating even for the most ardent of poetry-haters.
View ArticleAngela Chen: Ai Weiwei Still Isn’t Sorry
Chinese artist Ai Weiwei is now as notorious for his political actions as for his work. Alison Klayman's new documentary, Ai Weiwei: Never Sorry, shows that his originality comes precisely from...
View ArticleRichard Falk: Uncovering Occupied Palestine
Life under occupation in Hany Alu-Assad's Omar.
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